Home PR Project William Cepeda and Afro Rican Jazz at the Ponce Museum of Art

William Cepeda and Afro Rican Jazz at the Ponce Museum of Art


Grammy nominee, composer, arranger, trombonist, shell player, and educator William Cepeda is no stranger to breaking new ground. In 1992, he revolutionized Latin music when he conceived Afro-Rican Jazz, an inventive blend of traditional Puerto Rican rhythms, folk, dance, progressive jazz, and world music.

On Sunday, May 19th he kicked off a 3-concert tour that marked the first time The Ponce Museum of Art, The Culebra Foundation and the University of Puerto Rico (Rio Piedras) received funding from Chamber Music America, a national service organization that supports national ensemble and musicians.

William was born and raised in Loíza, where he grew surrounded by music and a family renowned for defending and preserving Afro-Puerto Rican music and culture.

A protégé of the late, great Dizzy Gillespie, he was a member of the United Nations Orchestra. Also, he has traveled the world and performed with Lester Bowie and his Brass Fantasy, David Murray, James Moody, Steve Turre, Bobby Watson, Miriam Makeba, and Slide Hampton & the Jazz Masters, Tito Puente, Paquito D’Rivera, Arturo Sandoval, Eddie Palmieri, Celia Cruz, Marc Anthony, Ruben Blades, and Oscar de Leon.

William’s discography as a leader includes Bombazo, a percussion project nuanced by Afro-Boricua folklore and voices and My Roots and Beyond, where he fuses Puerto Rico’s folkloric music with jazz. Also, he is the author of the encyclopedia La Musica de Puerto Rico, Raices y Evolucion. In the classical realm, he composed a full-length orchestral work for a symphony, opera, choir, and soloists titled Bomba Sinfonica. Recordings in-the-works include sea-shells and a rhythm section; another with a quartet; and Etnia Jazz, recorded live at the Puerto Rico Heineken Jazz Fest.

At the Ponce Museum of Art, William and the group presented a repertoire that combined Bomba, Plena, Danza, Jíbaro music and Taino influences with jazz elements. Also, the music carried an important message. “There is a great wealth of music in Puerto Rico and it’s possible to fuse our music with other genres, such as classical, urban, popular music and jazz without losing the characteristics of our musical roots.”

Other projects include the Lo Nuestro Tour, which aims to cover Puerto Rico’s 78 municipalities and provide exposure to traditional Puerto Rican music and free workshops for young musicians.

Prior to this performance, with the exception of The Jazz Foundation, there has been virtually no contact between Puerto Rican institutions and artists and funders in the States. Future goals include educating funders about the richness of Puerto Rico’s music and culture, educating Puerto Rican institutions and artists about the grant process and encouraging them to apply regularly.

William Cepeda and his Afro Rican Jazz will perform on Saturday, June 22, on the island of Culebra and on Friday, June 28 at the Theater of the University of Puerto Rico, on the Campus of Rio Piedras as part of Chamber Music America’s Presenter Consortium for Jazz.

Featured Photo: Tomas Peña

A graduate of Empire State College with a dual major in journalism and Latin American studies, Editor-in-Chief Tomas Peña has spent years applying his knowledge and writing skills to the promotion of great musicians. A specialist in the crossroads between jazz and Latin music, Peña has written extensively on the subject. His writing appears on Latin Jazz Network; Chamber Music America magazine and numerous other publications.


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