Puerto Rican master drummer, composer, and arranger Henry Cole are thrilled to announce the release of Buscando La Vida, a new full-length recording with his dynamic ensemble Villa Locura. Due out for release on November 19, this bold, life-affirming work commissioned by Chamber Music America’s New Jazz Works finds the Grammy-winning musical polymath in a highly creative and expressive state. Augmented by the renowned Metropole Orkest and featuring an eclectic cast of top-notch collaborators, including Antibalas frontman Duke Amayo and MC Negro González, Buscando La Vidashowcases Cole’s extraordinary and expansive vision. 
A native of Mayaguez, Puerto Rico, Cole’s cross-cultural style draws on African, Indigenous, and European influences. It positions him at the forefront of jazz innovation and 21st-century rhythms. “If I had been a Puerto Rican musician playing a few centuries ago, I would have had the same influences,” explains Cole. “They’ve come together to create a mestizo sound, and I’m carrying that forward.” In 2012, inspired by Fela Ransome-Kuti and the Africa 70 with Ginger Baker, Cole’s Roots Before Branches garnered superb reviews from the New York Times, World Music Report, and Jazz Times. National Public Radio declared the album “One of the Five New Directions in Jazz Evolution,” and jazz icon Chick Corea praised Cole for “beautifully expanding on the traditions he grew up with.”
Over the years, Cole’s power and versatility have proven indispensable to the world’s most acclaimed jazz groups, including The Miguel Zenón Quartet, David Sánchez, The Gary Burton Quartet, Fabian Almazan Rhizome, the Ben Wendell Quartet, the All-Star quartet 90 Miles, and Chano Dominguez as well as the groups Chambao, Calle 13, Residente, Siete Nueve, Balún and Draco Rosa.
The last few years have been a whirlwind for Cole. Six months into the COVID-19 shutdown, a fire destroyed Cole’s New York City apartment. Two months later, he relocated to his native Puerto Rico and “started from zero.” These plans were disrupted when the world shut down in March 2020, creating an even more tenuous situation. Concurrently, Cole received some welcome news: The Doris Duke Charitable Foundation was giving him a New Jazz Works grant. As one of the only Puerto Ricans to ever be granted this honor, Cole felt an immense responsibility to create something representative of his work and his native Puerto Rico. “Losing a home – and then having to do all the work that comes with that gives no time to complain or overthink. It’s about action. These are the so-called “fight or flight” situations. When faced with life-threatening conditions, we can access our “superpowers,” which is what this album is all about,” reflects Cole. 
Throughout the pandemic, Cole kept busy by working on Buscando and releasing singles with Villa Locura, including “El Diablo” with Tito Allen, “Caminando” with Tego Calderon, “Si Va’llover” with Alex Lopez’s “El Callejero,” and “Atiende” with Andy Montañez. With the support of the New Jazz Works grant, Cole broadened his scope and unleashed his “superpowers” despite the poor state of the world around him. “Death became the word of the day,” writes Cole in the liner notes, “the death of humans, work, faith, plans, bank accounts, and so much more. In the middle of so much death, I decided to look for life.”
Featuring eight original compositions by Cole, Buscando La Vida is rooted in jazz. Still, it features vital elements of funk, Afrobeat, soul, and hip-hop, synthesized through Cole’s singular vision. Feelings inspired some of the selections; the cinematic opening “No Estamos Solo” (We Are Not Alone) is a colorful showcase for the Metropole Orkest and was written as a reflection on unexpectedly crossing paths with like-minded people and realizing we, as a people are not alone. Some are more personal: “Y en Sueños te Persigo” (And in Dreams I Chase You) is about being “so obsessed with an idea, the creator pursues it in dreams” and “Dime Donde Estas” (Tell Me Where You Are), and “H.C.S.” is dedicated to Cole’s estranged father, Henry Cole Simon. “De Frente” (Head On), a genre mashup featuring the sharp-tongued Negro Gonzalez, meditates on confronting and taking responsibility for one’s life, including all its positive and negative qualities. At the same time, “Azul Turquesa” (Blue Turquoise) is a reflective love song. “Shinobi (He Who Hides)” is dedicated to the figure of the ninja – a figure of inspiration for Cole that speaks to the ability to develop a “killer” instinct ability without sacrificing one’s essence. The vibrant closer “Vueltas” (Turns) pays homage to the community that created the Delta Blues and its relation to the Puerto Rican Jibaro, and, as Cole says,  “the “gatekeeper” to our hearts.”
“Every move, idea, melody, rhythm, and concept on this project is fueled by the “fight or flight” energy we carry – the life inside and around us. The only way we could complete this project was to adapt to what was possible during the pandemic and never lose faith or focus and work as a family. Buscando La Vida is a testament to courage and excellence during the worst moments. Also, the collaboration with the Metropole Orkest takes our culture, the group, and Puerto Rico to new historical places,” shares Cole.


No Estamos Solos (ft. Metropole Orkest) (7:58)
Y En Sueños Te Persigo (8:33)
Dime Dónde Estas (4:22)
H.C.S (1:01)
De Frente (ft. Negro González) (4:15)
Azul Turquesa (6:12)
Shinobi (He Who Hides) (4:06)
Vueltas (Feat. Duke Amayo) (7:36)
Featuring: Henry Cole – Drums, Synths, Rhodes, The Metropole OrkestJahaziel Garcia – Trumpet, Jonathan Acevedo – Tenor Sax, Andrew Gutauskas – Baritone Sax, Kalani Trinidad – Flute, Benito Diaz – French Horn (4,5), Randy Roman – Trombone (4,5), Giovanny De La Rosa – Guitar, Javier Perez – Guitar, Ricardo Rodriguez – Bass, Emanuel Rivera Gambaro – Keyboards, Synths. Alberto “Beto” Torrens – Baril, Bryant Huffman – Chekere, Duke Amayo – Main Vocals (8) Negro Gonzalez – Main Vocals (5), Antoinette RodriguezMelissa Orsini, Dayanira ArzuagaGenesis Z. Cordero – Back-Up Vocals (8).


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