
“I felt I needed to go to my Afro-Puerto Rican roots. So, I decided to make an album that took me to ‘that place’ where I could experience that African connection. And that was through Bomba.” – Hector “Coco” Barez
Acclaimed Puerto Rican percussionist Hector “Coco” Barez founded El Laberinto Del Coco, an influential 13-piece band specializing in Bomba, Plena, and Fusion, in 2017.
The same year, the Puerto Rican Institute of Culture and the National Endowment of the Arts commissioned Barez to record his acclaimed debut album. After its release, one critic compared Laberinto Del Coco to Rafael Cortijo’s 1973 masterpiece, Cortijo y su Maquina Del Tiempo/Cortijo’s Time Machine. Dutch writer Pieter Wijnstekers of Obi magazine described Barez’s syncopated horn lines, funky guitar licks, solid multilayered percussion, and enchanting voices as “breathtaking, full-bodied and earthy.”
In addition to his formal training (see full bio below), Barez’s “chops” were honed on Puerto Rico’s streets and his interactions with the most prominent folklorists on the island, including La Familia Cepeda (Puerto Rico’s first family of Bomba), Los Hermanos Ayala, Los Pleneros de 23, Alfredo Rodríguez, Nicolás Lebrón, Paoli Mejías, Héctor Calderón, Víctor Emmanuelli, Samuel Gascot, and Raúl Rodríguez, among others.
Barez also cites Puerto Rican icon William Cepeda as a significant influence. “He was one of the firsts who put Puerto Rican bomba together with jazz, making it sound so natural,” says Barez. “And one of the first people to tell me I could do anything with this music. Also, I feel Rafael Cortijo was way ahead of his time.”
He gained popularity as a member of Calle 13, whom he toured during their first four Grammy wins. Calle 13 is not only significant for winning more Latin Grammys and Grammys than any other band. The group is known for expressing the genuine sentiments of the Puerto Rican people in a way that resonates with Latin Americans.
Barez was also a Los de Atrás Vienen Conmigo member during its first decade. He played the drums on “Atrévete-te-te,” a hit song that propelled the band to fame. He also played on “Latinoamérica,” an iconic anthem for the Latino community.
Over the years, Hector “Coco” Barez has shared the stage with many prominent Latin artists, including Shakira, Alejandro Sanz, Don Omar, Bacilos, Bio Ritmo, and Miramar Boleros.
HECTOR “COCO” BAREZ
Héctor “Coco” Barez was born on March 22, 1976 in Santurce, Puerto Rico. He is considered one of the most active percussionists of his generation in Puerto Rico. Throughout his extensive career, he has represented the island in both folkloric and popular music stages.
Barez obtained a BA in Physical Education from the University of Puerto Rico (UPR) in Río Piedras. He studied percussion at the UPR, the Inter-American University of Puerto Rico, the Music Conservatory of Puerto Rico, and the Los Angeles College of Music (LACM) in Pasadena, California.
He has been a member of various musical groups and bands, including Ballet Folclórico Nacional de Puerto Rico “Areyto,” Pleni-bom, Los Pleneros de la 23 Abajo, Son del Batey, EL Bombazo de Puerto Rico de los Hermanos Emmanuelli, Taller Tamboricua, and Bataklán. He worked for eight years with the band Los de Atrás Vienen Conmigo, which played for the Puerto Rican rap duo Calle 13 for ten years. He recorded in 4 of the 5 Grammy-award-winning productions of Calle 13.
Barez has also had the opportunity to perform and record with many renowned artists, such as Shakira, Alejandro Sanz, Maná, Don Omar, Bacilos, Bayanga, William Cepeda, Cultura Profética, Tamela Hedstrom, Diana Fuentes, Jerry Medina, Mikrowaves, Mekong Express, and Calma Carmona, among others. He is currently a member of the salsa band Bio Ritmo and Miramar (Boleros), which recently dedicated its debut album to the great Puerto Rican composer and songwriter Sylvia Rexach. Coco keeps a busy schedule touring with the Miami-based band Bacilos.
Hector “Coco” Barez has been an Adjunct Latin percussion instructor at Virginia Commonwealth University (VCU) since 2019 and a University of Richmond Dance Department musician. He also teaches and conducts workshops on Puerto Rican percussion worldwide.
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