Home PR Project Boricua Pionera, Dama de la Salsa: Yolanda Rivera

Boricua Pionera, Dama de la Salsa: Yolanda Rivera

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She is the Undisputed Afro-Puerto Rican Queen of Salsa and a role model for emerging salseros and salseras and the only woman who played a significant role in La Sonora Ponceña’s long and illustrious trajectory. 

YOLANDA RIVERA was born in Ponce in 1951 to a large musical family. At eight, through her sister, a Cuban music aficionado, she met her idol, Celeste Mendoza (“La Reina del Guaguanco”) and grew up absorbing a broad range of Cuban and Puerto Rican music including Los Van Van, Los Papines, Cachao, Ismael Rivera, Chamaco Rivera, and Pete “El Conde” Rodriguez to name a few.

When she was eight, the rumbera When she was eight the rumbera, Celeste Mendoza visited her home in Puerto Rico. The connection was her sister, a vocalist, and seamstress who made clothes for Mendonza. She came to my house and gave me an LP. She was a wonderful dancer, singer, and a primary influence.” 

She launched her career in Ponce in 1968, with the local group, Roberto y La Nueva Ley. One year later, she and her brother moved to New York. Shortly after that, she joined Willie Rosario’s orchestra as a back-up (coro) singer. 

In 1975, Rivera returned to Puerto Rico. After a stint with the group Roberto y su Chango, she debuted as a lead singer on Orquesta Terrfica’s Sabor a Pueblo (1976). 

In the late 70s, just days before boarding a flight to New York, Rivera encountered La Sonora Ponceña’s founder and leader, Don Quique Lucca, and mentioned, “If I don’t find work. I’m leaving for New York!” Shortly after that, Don Quique invited her to his home, handed her a cassette tape, and said, “Learn these songs.” She did, and the rest is history. 

Under the direction of Don Quique and his son Papo Lucca, Rivera became an indispensable member of La Sonora Poncena. Also, she recorded eight memorable albums including Explorando (1978), Energized (1979), La Ceiba (with Celia Cruz, 1979), Unchained Force (1980), and Night Raider (1981). It’s worth noting, Celia Cruz named Rivera as her successor. 

In 1984 Rivera gave birth to a daughter with a severe disability. After seeking several opinions in Puerto Rico and finding the diagnosis unacceptable, she moved to Miami, where her daughter underwent a series of surgeries and treatments and made a full recovery.  

In 1986, Rivera appeared with Gambino Pampini’s, Fuerza Noble orchestra. Also, between 1988 and 1989, she recorded three albums with Ruddy Haddock including De Puerto Rico Bailable y Mas (1988), Otra Vez (1988), and Salsa Tropical (1990).

In 1995 she reunited with La Sonora Ponceña and appeared on the album, Apretando. Also, on the percussionist, Wendell Rivera’s album Portfolio, which is notable for the song, Vuelvo a Cantar, where Rivera proclaims her triumphant return. 

In 2000, La Sonora Ponceña celebrated its 56th Anniversary with the release of the album, Y Seguimos Haciendo Historia and a variety of singers including Yolanda, Hector “Pichie” Perez, Willie Colon, Danny Davila, Luigi Texidor, Ismael Miranda, Cano Estremera, and Andy Montañez among others. Also, in 2001, she shared the stage with Adalberto Santiago, Tito Allen, and Ray de la Paz on Ray Barretto’s 50th Anniversary. 

In 2009, Rivera and Adalberto Santiago received lifetime achievement awards. Also, La Sonora Ponceña celebrated its 55th Anniversary. A highlight of the event was Rivera’s interpretation of the (now classic) anthem, Borinquen. Also, her stunning white outfit, which doubled as a Puerto Rican flag. 

In 2013, Rivera released her first and only highly acclaimed production as a leader, La Hija de Guaguanco (Melaza Records). The album was well-received in the Caribbean and Latin America but, didn’t receive the airplay and recognition it deserved in the U.S. (currently out-of-print and difficult to find). 

In 2019, I saw Rivera and La Sonora Ponceña perform (for the first time) at Lehman College in the Bronx. Before a full house, the group, and master tresero Nelson Gonzalez performed the hits, ignited the room received several standing ovations. 

I recently caught up with Rivera on Facebook, where she maintains an active online presence (Yolanda Rivera Oficial). The conversation was brief, but I learned about two independent productions that are not commercially available. The album, 46, and a single titled, El Moño.

Rivera’s hits include Ahora Si, Hasta Que Se Rompe El Cuero, Se Formo, La Rumba en el Patio, Madrugando, Borinquen and, Lo Mio Es Cantar (Borinquen is her personal favorite).

In a 2014 interview, Rivera was asked, “If you were born again, what would you do?” “Sing!, she replied. When asked, what wouldn’t you do? She quickly replied, “Get married!” 

In a career that spans fifty-years plus, Rivera has seen and done it all. She survived racism, sexism, spousal abuse, vicious rumors, and the tribulations of being a woman in a male-dominated industry. According to Rivera, “It wasn’t easy, It was hard. You have to demonstrate who you are, how you are, and what you’re capable of. This is not to say there weren’t incidents but, “Ay queue Braviar, Ay Que Guapiar. Everyone once in a while I had to take out (inaudible). (Laughs). Don’t get me wrong, on occasion I’ve had to put some people in their place but overall, I’ve been lucky.” 

In a recent interview with Nando Alvarrici Rivera announced she is semi-retired. But, open to the idea of making a recording that celebrates fifty years in music. 

Today, she is revered throughout the Caribbean, Latin America, and the U.S. for her unique style and body of work as a soloist, sidewoman, long-standing member of La Sonora Ponceña, and proud Ponceña. Long live La Sonora Mas Querida!

In 2019, a representative of the show Isla Caribe interviewed Yolanda Rivera. See the full interview here. Also, in this video, Yolanda talks about her daughter’s illness and why she left La Sonora Ponceña.

  • Alvarrici, Nando – Con Sabor Latino (99.5 FM) – Interview: Yolanda River
  • Cantrell, David – Research, Recordings.
  • Isla Caribe Podcast #40 – Interview: Yolanda Rivera
  • Rivera, Yolanda – Pagina Oficial (Facebook)
  • Swing Antillano Con Saoco – Porque Se Va De La Sonora? (Interview, November 2014)

© 2020 Tomas Pena
ALL RIGHTS RESERVED

 

 

A graduate of Empire State College with a dual major in journalism and Latin American studies, Editor-in-Chief Tomas Peña has spent years applying his knowledge and writing skills to the promotion of great musicians. A specialist in the crossroads between jazz and Latin music, Peña has written extensively on the subject. His writing appears on Latin Jazz Network; Chamber Music America magazine and numerous other publications.

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