Home New York Report Stefon Harris and Sonic Creed at the Miller Theater (January 30, 2016)

Stefon Harris and Sonic Creed at the Miller Theater (January 30, 2016)



Stefon Harris and Sonic Creed made a joyous noise at the Miller Theater last Saturday.

Harris’ passionate artistry, energetic presence, virtuosity and “ear” for new talent made for an ingenious lineup of established and emerging artists, among them the 20-year old Berkley native, Elena Pinderhughes, cited as “the most exciting jazz flutist to have emerged in years;” pianist James Francies, a recent graduate of the New School for Contemporary Art and a force to reckon with; rock-solid bassist Joshua Crumbly; the spirited Jonathan Pinson and guitarist Mike Moreno, whose sense of lyricism and technique are spellbinding.

During two sets, the ensemble performed jazz classics, such as George Gershwin’s I Love You Porgy, Horace Silver’s Cape Verdean Blues, Wayne Shorter’s Go and original compositions by Harris.

There was no shortage of bright moments however I was most impressed with the ensemble’s interpretation of I Love You Porgy; the distinctive. Also, the commanding “voices” of James Francies and Pinderhughes who contributed to the conversation and made it seem effortless.

Harris is a consummate musician, leader, and showman whose every note exudes passion and joy. In a brief conversation with Harris, via Facebook, he told me he is “energized” and “pushing his creative limits.”

The downside? All good things must end.

Miller Theatre at Columbia University is the leading presenter of new music in New York City and one of the most vital forces nationwide for innovative programming. In partnership with the Columbia University School of the Arts, Miller is dedicated to producing and presenting unique events, with a focus on contemporary and early music, jazz, opera, and multimedia performances

Next up: The Miller Theater wraps up its Jazz Series with the Miguel Zenon Quartet, Saturday, February 20, 2016. See you there!


A graduate of Empire State College with a dual major in journalism and Latin American studies, Editor-in-Chief Tomas Peña has spent years applying his knowledge and writing skills to the promotion of great musicians. A specialist in the crossroads between jazz and Latin music, Peña has written extensively on the subject. His writing appears on Latin Jazz Network; Chamber Music America magazine and numerous other publications.


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