Andrea Zapata-Girau is a multi-talented individual with several qualifications and accomplishments to her name. She studied classical guitar at Mayeusis Conservatory from 1994 to 2004, and then pursued music studies at London’s Guildhall School of Music and Drama. She also studied Audiovisual Communication at Pompeu Fabra University (Barcelona). Later, she moved to Finland, where she graduated from the TAMK School of Music, Art, and Media in 2011, specializing in Film Editing and Image Manipulation.
Andrea began her professional career working with Infinia and Evasion Digital (Madrid) in the post-production of movies like Manolete (Menno Meyres) and El Hombre Que Camino Mirando Las Estrellas (Carlos Duarte).
In the years 2006-2007, Andrea directed two short films, Red and Jiskra, which were screened at galleries and festivals in Finland, Sweden, and Estonia. In 2008, she presented her first solo exhibition, which received excellent reviews from the Finnish press. The same year, with the support of the Cuban Film Institute (ICAIC) and the Arts Council of Finland, she created the Cuban Film Festival Kuubalaisen Elokuvan Päivät. In 2009, she directed the medium-length movie Magec Ula Salam.
Andrea has also edited video installations and short films for Nordic artists Riikka Kuoppala, Hannaleen Hauru, and Elina Bäckman, which were screened in museums such as New York’s Museum of Modern Art and international festivals.


TOMAS PEŇA: What is the significance of the title, Guitarra de Palo?
ANDREA ZAPATA-GIRAU – A Guitarra de Palo is a guitar with a wooden peg box. That’s how guitars were made. The title symbolizes the origin of the guitar and its roots. There’s a scene in the movie where we see the famous guitar constructor Mariano Conde making wooden peg box guitars.
TP: The film spans three continents.
AZG: It’s a journey through the roots of flamenco and its modern-day fusions with jazz, Afro-Cuban music, and contemporary classical music. It was filmed in different countries with the participation of many world-renowned musicians and dancers. The cinematography is beautiful; the sound design is by the Goya (Spanish Academy Awards) Winners Pelayo Gutiérrez and Nacho Royo-Villanova.
TP: Why did you choose to forego narration?
AZG: The images, the music, and the soundscape tell the story. There is no narrator but there is a narrative and a visual and musical dialogue built by the association of different concepts, references, and shots.
TP: Where was it filmed?
AZG: The movie was filmed in Madrid, Córdoba, Havana, Cuba, Berlin, Russia, New York City, Nicaragua, Puerto Rico, and the Cayman Islands, over a four-year period (2009-2013)
TP: For the benefit of those who might not be familiar with the genre, can you summarize Flamenco?
AZG: Flamenco is instrumental or vocal music with an intensely rhythmic improvisatory character. It was born in the South of Spain and has deep roots in Arab, Gypsy, Jewish, and East Indian music. The essence of Flamenco is the cante (singing), toque (guitar playing), and dance. Flamenco is also an attitude, a lifestyle.
TP: What is Flamenco Jazz?
AZG: Flamenco-jazz is a unique form of jazz music developed in Spain. It’s an encounter of flamenco and jazz that combines the freedom and improvisation of jazz with the rhythms and styles (Palos) of flamenco and the harmonic richness of jazz with the cadences of flamenco. At Symphony Space we’ll have the pleasure of listening to icons of this style such as Jorge Pardo, Javier Colina, Raimundo Amador, and Jerry González.
TP: Has merging Flamenco, with other genres (cultures) had an impact on traditional Flamenco?
AZG: Spain has been a cultural melting pot for 4000 years due to the different invasions, migrations, and mercantile routes (Phoenicians, Greeks, Carthaginians, Romans, Arabs, Jews, Gypsies, Celts, Goths, Vikings, French, English), so the fusion with other cultures is nothing new, part of the essence of Spanish culture and music.
TP: The film and the performances are dedicated to the memory of the renowned Flamenco guitarist, Paco de Lucía (1947-2014). Tell me about Paco’s importance.
AZG: Paco de Lucía opened doors for many, inspired various generations of musicians, and raised guitar and flamenco to the highest level. He was the most international of our artists, and the greatest ambassador of Spanish culture. It’s a great loss.
TP: Is this the first time that the legends of Flamenco and Flamenco Jazz will perform on the same stage?
AZG: This is the first time they perform on the same stage anywhere in the world! It will be a historic occasion.
TP: New York has always welcomed the greatest names in Flamenco and the evenings of April 4th and 5th will be no exception. I urge everyone to support this once-in-a-lifetime event. Congratulations!


Antón Jiménez flamenco guitar, Jerry González trumpet and conga player, Lola Greco dancer, Raimundo Amador flamenco-blues guitarist, Jorge Pardo flutist, Rafita Jiménez flamenco singer, Oleg Nehls accordionist, Antonio Serrano harmonicist, Mariano Conde guitar maker, Javier Colina double bass player, Fernando Favier drummer and percussionist, Tom Auffarth bass player, Luis Guerra pianist, Miguel Blanco big band conductor, Triana Cortés flamenco dancer, Pedro Giménez elder man, Alain Pérez bass player, Javier Massó “Caramelo” pianist, Lucky Losada percussionist, Compañía Danzares dance, Alfonso Losa dancer, Kelian Jiménez dancer, Vicente Sureo “Morito” percussionist, Georvis Pico big band drummer, Fernando Hurtado big band trumpeter, Antonio Molina big band trumpeter, Norman Hogue big band trombonist, Santiago Cañada big band trombonist, Ariel Brínguez  big band saxophonist, Luis Verde big band saxophonist, Rafael Águila big band flautist, Kevin Robb big band clarinetist and saxophonist, Rafa Serrano big band baritone saxophonist, Pájaro Juárez big band electric guitar, Juan Viera big band percussionist, Niko Meinhold arranger, pianist and melodica player, Jacob Sureda pianist, David Moreira violinist, Bernardo Parrilla violinist, Nantha Kumar tablas, Juan Fernández “Panky” palmero, Miguel Ángel Bautista palmero, Miguel Ángel Fernández palmero, Ramón Vázquez bass player, Adrián Jiménez boy, Gabriela Giménez Palacio girl, Juan Jiménez younger boy, Gabriel Amador boy singing, Daniel Amador boy, Cipriano Morón seller of guitars.
The film and the performance will take place on April 4 & 5, 2014 @ 8:00 pm at Peter Norton Symphony Space, 
New York – 2537 Broadway at 95th Street. There will be a pre-performance discussion moderated by Ned Sublette on Friday, April 4th at 7:00 pm.
General Admission: $20 | Students/Seniors/Children: $15 | Symphony Space Members: $15 | For tickets go to: www.symphonyspace.org, call: 212.864.5400, or visit the box office.


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