PAZCUAL VILLARONGA was born and raised in Spanish Harlem, New York. He attended Haaren High School and New York City Community College and graduated from Hunter College, earning a degree in Communications and a Master’s Degree in Bilingual Education. 
Known as the “Drum Poet,” Pazcual recites poetry while accompanying himself on the congas (often joined by other musicians), creating an innovative fusion of poetry and discussion that takes his verses to a new level. 
Pazcual is also the recipient of the Golden and Silver Poet Awards in California and placed third in “La Cancion Bilingue” – The Bilingual Song Competition in Washington, D.C. He has read poetry at Columbia University, Teachers College, Hunter College, Hostos Community College, Manhattan Community College, and Connecticut’s Housatonic Community College. 
His published works include the highly successful “Caracol” (Poems For The Children), “By The Music Inspired,” “Poet,” “Fire From Hell,” “Compendium,” and “Stereotypes and Cycles.” His most recent collection of poems and CD is titled “On Whatever Day Saturday Happens To Fall.” Pazcual’s work has also appeared in “Around the Mulberry Bush – An Anthology,” “Windfall – An Anthology,” and “Fahari.”
Now retired after over three decades of teaching, Pazcual is preparing several collections of poetry and a children’s book and performs with The Lehman College Latin Jazz Ensemble, directed by Victor Rendón. 


TOMÁS PEÑA: Welcome, Pazcual! Tell me about your most recent project. 
PAZCUAL VILLARONGA:  “On Whatever Day Saturday Happens to Fall” is my salute to the musicians and their creative souls. Also, to the percussive rhythms and melodies, they share with us every time they perform. Also, it is my way of sharing with the world, through poetry, how they inspire me and the power and beauty of their musical creations.
TP: Thank you for sharing an advance copy of the book and CD with me and taking me on a fascinating bilingual literary and aural journey. Before we discuss the project, I’m curious to learn what drew you to poetry and the spoken word.
PV: Growing up, I was shy and introverted. Poetry was my way of expressing myself. In high school, my friend Jose showed my writings to a teacher named Dr. Richstone, and he replied, “There are better things you could do with your time.” Undaunted, Jose showed my writings to another teacher named Mary Lamboss. She said, “You are the Poet Laureate of Harren High School!” Later, I formed the “Drum Poets” and began reciting poetry with percussion and music.
TP: How did your latest project come about, and what is the significance of the title?
PV: It began with Víctor Rendón’s “Fiesta Percusiva” (2008), where I recited the poems “Soy Chicano” and “In the Pocket.” Shortly after, Victor appeared on José “Joe” Massó’s “Con Salsa!,” who played selections from the album on the air. He encouraged me to “make more music like this.” Afterward, Víctor asked if I was interested in pursuing the project, and I immediately said, “Yes!” He agreed to produce the record with the following conditions: Trust him implicitly and do not speak about the project with anyone until it is completed. The rest is history! The title, “On Whatever Day Saturday Happens to Fall,” is inspired by trumpeter John Walsh, who composed the song “On Whatever Day of the Week Saturday Happens to Fall” (the tune appears on Chris Washburne and the Syotos Band’s “Paradise in Trouble”) and whose philosophy is, “On Whatever Day of the Week Saturday Happens to Fall, musicians must answer the call and give their all.” Walsh’s philosophy resonates with me because it applies to poets and creative souls who must be in the moment when the muse appears.
TP: The recording contains a collection of twenty-two poems set to Afro-Caribbean and Afro-Puerto Rican rhythms, Jazz, and Latin Jazz. Also, the lineup is impressive: Víctor Rendón, Wilson “Chembo” Corniel, Louis Bauzo, Yasuya Kimura, Mike Viñas, Amy Quint Millan and José Luis Armengot. Additional guests include Andrea Brachfeld, Henry Brun, Ariel De La Portilla, and Roman Diaz (see below for specifics). Tell me about the poem “Right Pocket/Left Pocket.”
PV: My mother was concerned about my dad, who drank excessively and played pool at a local social club. One day she asked me to check on him and bring him home. When I arrived, my father was intoxicated and staggering. Shortly after, a neighborhood hustler and “aprovechao” (exploiter) named Chano challenged my father to a game of pool. My father immediately asked me, “How much money do you have?” And demanded I give it to him. Then, miraculously, he took a deep breath and straightened up. After that, it was “right pocket, left pocket!” Long story short, my father and I left the social club fifty dollars richer! When Victor and I arranged the tune, he had just acquired a set of “timbalitos” (9-1/4 and 10-and 1/4 timbales), which have a distinct sound. Listen closely and you will hear Victor mimicing the sound of the cue ball striking the billiards.
TP: Your words conjure up images! I also enjoyed the poem “El Chembito,” where master percussionist Wilson “Chembo” Corniel accompanies you. 
PV: The poem was born while listening to Chembo’s solo on the tune “Lagos, which appears on Victor Rendon & the Bronx Conexion Latin Jazz Big Band’s “True Flight” (2016). I realized that in Chembo’s hands and the hands of the masters, you feel and hear the connections between past and present and are privy to a glimpse of the future. Chembo has a way of taking you along for the ride as he time travels between rhythms, feelings, and emotions! His hands never falter, and his ideas are always fresh!
TP: The poem “I Saw You (Tribute 4 Miles)” talks about a unique experience you shared with trumpeter José Luis Armengot onstage.
PV:Yes, Jose was standing to my right onstage and soloing on the tune “Fragile.” At one point, I turned to him, and he was wearing dark glasses and leaning back as Miles did, and I saw Miles! At the time, I was unaware that Jose idolized Miles. Later, I read the poem to Jose and said, “You are Miles!”
TP: Tell me about the poem “In the Pocket.”
PV: The poem is inspired by Omar Castaños, who said, “Some musicians express themselves and don’t say a lot. But every once in a while, you will find an artist who sits in the pocket, and everything is pushed away.” I saw it happen when master percussionist Luis Bauzo took a solo at “Gonzalez y Gonzalez” (NYC) in front of a packed house and literally stopped the room! The poem was born at that moment!
TP: And, that’s just a sampling of what listeners and readers can expect. There is much more to savor! The CD and book will be released on December 1, 2022. Is there a CD Release Party or a live performance in the works? 
PV: We have yet to set a specific date, but it is in the works. 
TP:  I should mention “On Whatever Day Saturday Happens to Fall” is available at: https://conceptovillapaz.com and Amazon.
TP:  Closing thoughts?
PV: If I have touched you with one word, phrase, or poem, I have done my job as a poet!
TP: “On Whatever Day Saturday Happens to Fall” recalls the writings of the Nuyorican poet and playwright Pedro Pietri, playwright Tato Laviera, activist, journalist, media personality Felipe Luciano, and Latina poet Sandra Maria Estevez, among others. Rarely has the spoken word, Afro-Caribbean rhythms and and Latin Jazz come together as organically and beautifully as it does on this exciting and innovative project. Thank you for speaking with jazzdelapena.com.


1. Drummers Prayer
2. By the Music Inspired
3. In the Pocket
4. What Do You Do?
5. El Chembito
6. How Many of Us Listen?
7. Bongo Habla Otra Vez
8. Que No Se Te Olvides
9. Right Pocket/Left Pocket
10. On Whatever Day Saturday Happens to Fall
11. I Saw You (Tribute 4 Miles)
12. Alma Jibarita
13. Puerto Rican Trilogy
14. Puerto Rican Trilogy
15. Puerto Rican Trilogy
16. Speak Easy
17. Soul Riffs
18. Entendian Voz
19. Another Night in Tunisia
20. En Las Manos de Los Maestros (Click to Listen)
21. Afro, Is That You?
22. Now and Then


Pazcual Villaronga – Executive Producer, Poetic Voz, Conga and Shekeré
Víctor Rendón – Producer, Drum Set, Timbales, Pailitas, Shekeré, Batá (Okonkolo), Coro
Wilson “Chembo” Corniel – Congas, Batá (Itótele), Guataca, Coro
Louis Bauzo – Bongos, Congas, Barril (Primo), Batá (Iyá), Bonkó Enchemiyá, Güícharo Puertorriqueño, Coro
Yasuya Kimura – Congas, Bongos, 1st and 2nd Cajón, Maraca, Coro


Michael Viñas– Bass
Amy Quint Millan – Piano, Coro
José Luis Armengot – Trumpet


Andrea Brachfeld – Flute
Henry Brun – Conga, Shaker
Ariel de la Portilla Acoustic Bass
Roman Diaz (Batá and Various Percussion)
Diego Lopez (Batá and Various Percussion)
Allan Molnar First Marimba
Yumi Suehiro Second Marimba



POETRY (1995)




ON WHATEVER DAY SATURDAY HAPPENS TO FALL Posted with the permission of the Copyright Owner.


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